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Susan Naomi Bernstein
This semester, students have been invited to engage with reading a whole nonfiction book from a choice of three twentieth-century texts: Gloria Anzaldúa’s Borderlands/La Frontera, James Baldwin’s Notes of a Native Son, and Terry Tempest Williams’ Refuge. I chose these three books because excerpts from them are frequently
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Susan Naomi Bernstein
Over the summer, I moved across the country, from the southwestern United States back to New York City, and from full-time lecturer back to work as a term adjunct. These changes have allowed me to pay close attention to new classroom situations, and the necessity of reexamining my approaches to teaching in order to fit ever-changing circumstances.
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Emily Isaacson
This post originally appeared on May 18, 2015.   This was the year that I embraced creative projects in my literature courses.  My department chair has been doing them for ages, and he’s been very encouraging.  His only stipulation is that English majors must write a long seminar-style paper at some point in an
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Nicole Gibbs
September 7th @ 2:00 PM ETIn the search for and creation of open educational resources (OER), faculty must be aware of copyright and open license protections and uses of materials under the law. All types of works have a license outlining terms or conditions of use. This webinar will review all forms of licensing of published and unpublished works
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