The Uses of Objectivity

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I take my title, and topic, for my last blog before the summer break from two pieces appearing in today's (as I write this) online news. One, John Warner's essay "The Pitfalls of 'Objectivity,'" appears in Inside Higher Ed, and the other is a news feature in The Washington Post on the prison sentencing of a Sandy Hook hoax proponent who sent death threats to the parents of one of the children murdered at the Connecticut elementary school. I'll begin with John Warner's essay.

Warner is a blogger for Inside Higher Ed, whose blog, "Just Visiting," describes his experiences as an adjunct writing instructor. As a voice for the much-beleaguered, and ever-growing, class of adjunct writing professors in this country, Warner is a very popular Inside Higher Ed blogger, whose columns consistently garner far and away the most commentary (almost always positive) of any other blog on the news site, often from grateful instructors who are justifiably glad to see someone expressing their point of view for once in a prominent place. Heck, Warner gets more comments on each blog post than I have gotten in all the years I have been writing this blog, so it's hard to argue with success.

But in this era when "fake news" and "alternative facts" have come to so dominate the political landscape, I feel obliged to respond to Warner's thesis, which is that, "One of the worst disservices the students I work with have experienced prior to coming to college is being led to believe that their writing – academic or otherwise – should strive for 'objectivity.'” Warner's point—which, as a central tenet of cultural studies generally, and the New Historicism in particular, is not a new one—is that "there is no such thing as purely objective research." This position cannot be refuted: writing and research always not only contain, but begin, in subjectivity. Even scientific investigation starts with an hypothesis, a conjecture, a subjective cast into an ocean of epistemic uncertainty. And if one really wants to press the point, there has never been a successful refutation of the fundamental Kantian position that knowledge is forever trapped in the mind, that we know only phenomena, not noumena.

So, the question is not whether or not subjectivity is an inevitable part of writing, thinking, and arguing. Rather, the question is whether we really want to throw out the objective baby with the bathwater, which is what I think happens when Warner argues that, "Strong writing comes from a strong set of beliefs, beliefs rooted in personal values. Those underlying values tend to be relatively immutable." And that takes us to the Sandy Hook hoax community.

 

To put it succinctly, the Sandy Hook hoaxers believe that the massacre at the Sandy Hook School was a "false flag" that either never took place at all or was perpetrated by the Obama administration (there are various claims in this regard), and which was planted in order to justify the seizure of Americans' guns. The hoaxers have written at length, and with great passion, about this, producing all sorts of "facts" (in the way of all conspiracy theorists). One could say that their texts come "from a strong set of beliefs . . . rooted in personal values . . . that tend to be relatively immutable." And there's the problem.

Now, Warner is hardly promoting conspiracy theorizing, or being tied to immutable beliefs. For him, "An effective writer is confident in communicating their beliefs, while simultaneously being open to having those beliefs challenged and then changed as they realize their existing beliefs may be in conflict with their values." But the problem is that without objective facts, a contest of beliefs is only that, with no basis for settling the debate. You don't like the facts? Shout "fake news!" and produce your own "alternative facts." I'm sure you see where this heading.

As with the legacy of poststructuralist thinking that I have often written about in this blog, Warner's apparently generous and liberal approach to writing leads to unintended results. By undermining our students' acceptance of the existence of objective facts—and the objectivity to pursue them—we are underpinning a political environment where hostile camps hole up in their echo chambers of shared beliefs and simply shout at each other. And while I know that we, as writing instructors, can't end that—any more than we can come up with a final refutation of Kantian and poststructuralist subjectivism—if we really want to do our bit to resist the current climate of "fake news" claims we should be encouraging our students to see the dialectic of subjectivity and objectivity, the complex ways in which the two can complement each other. It isn't easy, and there can be no easy formula for doing so, but simply denigrating objectivity to our students is not going to help us, or them.

 

 

About the Author
Jack Solomon is Professor Emeritus of English at California State University, Northridge, where he taught literature, critical theory and history, and popular cultural semiotics, and directed the Office of Academic Assessment and Program Review. He is often interviewed by the California media for analysis of current events and trends. He is co-author, with the late Sonia Maasik, of Signs of Life in the U.S.A.: Readings on Popular Culture for Writers, and California Dreams and Realities: Readings for Critical Thinkers and Writers, and is also the author of The Signs of Our Time, an introductory text to popular cultural semiotics, and Discourse and Reference in the Nuclear Age, a critique of poststructural semiotics that proposes an alternative semiotic paradigm.